Tag Archives: Sennheisers

Stranger Things S4 sounds higher because of Sennheiser’s ever-morphing Ambeo

Every time I write about Sennheiser’s Ambeo, it changes tack.  The first time I heard the word, it was being used in relation to some sumptuous nine-channel music recordings. Sennheiser’s ‘tonmeister’ and sound engineer Gregor Zielinsky was pioneering music recordings in 9.1, and he spent several years demoing and advocating this recording technique at expert […]